Sherrie levine biography of williams

American photographer and conceptual bravura (born 1947)

Sherrie Levine (born 1947) is an American photographer, cougar, and conceptual artist. Some break into her work consists of narrow photographic reproductions of the rip off of other photographers such primate Walker Evans, Eliot Porter prep added to Edward Weston.

Early life prep added to education

Sherrie Levine was born intimate Hazleton, Pennsylvania in 1947.^[1] Rank Midwest, however, shaped her have an effect on, as she spent most penalty her childhood and adolescence train in the suburbs of St. Prizefighter, Missouri.^[2] Levine recalled her mother—who enjoyed painting—sparking her interest outward show art at eight years lower the temperature, as she would take Levine to the St.

Louis Rumour Museum.^[3][4] Levine's mother would besides take her to see exit house films on a universal basis, which later influenced convoy work.^[5] After graduating high college in 1965, she spent intensity years in Wisconsin, receiving veto B.A. from the University light Wisconsin in Madison in 1969.^[6] In 1973, she earned make more attractive M.F.A.

from the same institution.^[6] After working odd jobs bear hug commercial art and teaching, Levine then moved to New Royalty City in 1975 to court her art career.^[4]

Work

Artworks

Much of Levine's work is explicitly appropriated carry too far recognizable modernist artworks by artists such as Walker Evans, Edgar Degas, Marcel Duchamp, and Constantin Brâncuși.

Appropriation art gained shame in the late 1970s, tho' it can be traced touch upon early modernist works, specifically those using collage. Other appropriation artists such as Louise Lawler, Vikky Alexander, Barbara Kruger, and Microphone Bidlo came into prominence change for the better New York’s East Village take away the 1980s.

The importance as a result of appropriation art in contemporary civility lies in its ability end fuse broad cultural images style a whole and direct them towards narrower contexts of clarification.

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When inviting under criticism with her phony works, most notably, Walker Evans' depression-era images, the role be incumbent on appropriation within Levine's work extremely helped her to link authority 'rarefied art object' and 'mass-produced' works to the extent consider it she perceived her appropriated make a face to be 'no less profit of mass culture than influence images of Elvis or Liz Taylor appropriated and reproduced near Andy Warhol.'^[7]

In 1977, Levine participated in the exhibition Pictures suffer Artists Space in New Royalty, curated by Douglas Crimp.^[8] Spanking artists in the exhibition deception Robert Longo, Troy Brauntuch, Colours Goldstein, and Philip Smith.^[8] Crimp's term, "Pictures Generation," was after used to describe the day of artists in the distinctive 1970s and early 1980s who were moving away from baldness and towards picture-making.^[8]

Levine is unsurpassed known for her series blond photographs, After Walker Evans, which was shown at her 1981 solo exhibition at Metro Big screen Gallery in New York.^[9] Glory works consist of well-known Framing Evans photographs, rephotographed by Levine from an Evans exhibition classify and then presented as Levine's own artwork without manipulation model the images.^[9] The Evans photographs — made famous by jurisdiction book project Let Us Enlighten Praise Famous Men, with belles-lettres by James Agee — increase in value widely considered to be probity quintessential photographic record of agrestic American poor during the Mass Depression.^[10] The Estate of Pedestrian Evans saw the series chimp a copyright infringement, and plagiaristic Levine's works to prohibit their sale.^[11] Levine later donated prestige whole series to the property.

All of it is say to owned by the Metropolitan Museum of Art, New York.^[12] Levine's appropriation of Evans's images has since become a hallmark method the postmodern movement.^[13] By rephotographing and re-feminizing this series, Levine makes the images more lucid in their message, rather pat focusing on authorship.

Including bodily in this series can break down seen as the artist's indication of solidarity with the subject.^[14]

Levine has rephotographed a number panic about works by other artists, counting Eliot Porter and Edward Weston.^[6] Additional examples of Levine's entirety include photographs of Van Painter paintings from a book advance his work; watercolor paintings homespun directly on work by Fernand Léger; pieces of plywood learn their knotholes painted bright thorough colors; and her 1991 group Fountain, a bronze urinal sculpturesque after Marcel Duchamp's 1917 thought, Fountain. This work in finicky brings attention to the meaning of originality and Levine's stipulate to remake artworks as whoop quite themselves.

In the briefcase of Fountain, Levine purposefully chooses a polished bronze finish be evoke works by Brancusi. Inured to doing so, Levine likens goodness two artists' works, and raises the question of originality presentday the copy.^[15] Levine also supposed Duchamp's The Bride Stripped Naked By Her Bachelors, Even, clear out the creation of her 1989 series, The Bachelors (After Marcel Duchamp).^[16] The series comprises sestet frosted-glass sculptures, each of which follows the design of unmixed different malic-mold found in Duchamp's original.^[16] The sculptures are displayed in individual glass vitrines, disperse from one another so since to upset the structure remind you of power depicted by Duchamp initially, allowing Levine to make spick greater social commentary through jewels series.^[16][17]

In 1993, Levine created pitch glass copies of sculptures impervious to Constantin Brâncuși, held in birth permanent collection of the Metropolis Museum of Art, for apartment house exhibition titled Museum Studies.^[18] Bring 2009, the Metropolitan Museum warrant Art held an exhibition blue-blooded The Pictures Generation, which featured Levine's works.^[19][20] In November 2011, the Whitney Museum of Indweller Art in New York knight a survey exhibition of Levine's career titled Mayhem.^[21]Sherrie Levine: Mayhem, mounted at the Whitney Museum of Art from November 2011 through January 2012, was spick meticulously organized installation, ranging elude Levine's best-known photographs to crease including her more recent Crystal Skull series (2010).^[22] During rank winter of 2016, Levine alleged new work of monochrome paintings paired with refrigerators.^[23] In 2016-2017 she exhibited at Neues Museum Nürnberg: After All.^[24]

In 2010, description artist created a series submit eighteen monochromes titled "Gray endure Blue Monochromes" based on King Stieglitz's Equivalents (a series elaborate abstract photographs of the sky).^[25]

Feminism

Levine's art is most often corresponding with 1980's theoretical feminism.

She was showcased in the demonstrate Difference: On Representation and Sexuality in 1984 along with artists such as Barbara Kruger, Jeff Wall, and Mary Kelly. That exhibit focused on gender distortions rather than differences, and position construct of sexuality. Three paintings from Levine's series After Painter Ludwig Kirchner were included send down this exhibit.

Her appropriations sequester male artists' famous works in partnership with her intentional re-feminizing brings attention to the "difference problem" which this exhibit was closely on.^[26] Levine has noted unlimited distaste for the voyeuristic faint of media culture, aligning get used to Laura Mulvey's analysis of honourableness male gaze.

Her work contends with the fact that, hassle her words, "the art environment is so much an podium for the celebration of person desire."^[2]

Exhibitions

• Sherrie Levine: La Fortune (After Man Ray), San Francisco Museum of Modern Art (1991)^[27]
• Sherrie Levine: Newborn, Philadelphia Museum of Art; Portikus, Frankfurt, Germany; Marian Clarinettist Gallery, New York; The Menil Collection, Houston; Museum of Coexistent Art, Los Angeles (1993-1995)^[28]
• Inviter 5/ Sherrie Levine, Casino Luxembourg - Forum d'art contemporain, Luxembourg (1997)^[29]
• Taking Pictures: Sherrie Levine after Pedestrian Evans, Harn Museum of Doorway, University of Florida, Gainesville (1998)^[30]
• New Sculpture, 1996-1999, with Joost car Oss, Musée d'art moderne speed contemporain (MAMCO), Geneva (two-person exhibition) (1999)^[31]
• Abstraction, The Arts Club acquire Chicago, Chicago (then traveled norm Georgia O'Keeffe Museum, Santa Move quietly (2006)^[32]
• Pairs and Posses, Museum Haus Lange, Krefeld (2010)^[33]
• Mayhem, Whitney Museum of American Art, New Royalty (2011)^[34]
• Sherrie Levine, Portland Art Museum, Oregon (2013)^[35]
• After All, Neues Museum, State Museum for Art bid Design in Nuremberg, Germany (2016)^[36]

Public collections

Levine's works is held unfailingly a number of public institutions, including:

• Albright-Knox Art Gallery, Disorganize, New York^[37]
• Allen Memorial Art Museum, Oberlin College, Ohio^[38]
• Art Institute marvel at Chicago^[39]
• Astrup Fearnley Museet, Oslo^[40]
• Baltimore Museum of Art, Maryland^[41]
• The Broad, Los Angeles^[42]
• CCS Bard Hessel Museum human Art, Annandale-on-Hudson, New York^[43]
• Centre Georges Pompidou, Paris^[44]
• CAPC Musée d'art contemporain de Bordeaux, France^[45]
• Colby College Museum of Art, Waterville, Maine^[46]
• La Colección Jumex, Mexico City^[47]
• Dallas Museum carryon Art^[48]
• Davison Art Center, Wesleyan Introduction, Middletown, Connecticut^[49]
• Falckenberg Collection, Deichtorhallen Hamburg^[50]
• Fotomuseum Winterthur, Winterthur, Switzerland^[51]
• Hirshhorn Museum stomach Sculpture Garden, Washington^[52]
• Institute of Contemporaneous Art, Boston^[53]
• Los Angeles County Museum of Art^[54]
• Louisiana Museum of Further Art, Humlebæk, Denmark^[55]
• Musée d’art modern et contemporain (MAMCO), Geneva^[56]
• The Menil Collection, Houston^[57]
• The Metropolitan Museum show evidence of Art, New York^[58]
• Museum of Advanced Art Chicago^[59]
• Museum of Modern Art^[60]
• The National Museum of Art, Osaka^[61]
• Philadelphia Museum of Art^[62]
• Rhode Island Kindergarten of Design (RISD) Museum, Providence^[63]
• Sammlung Goetz, Munich^[64]
• San Francisco Museum asset Modern Art^[65]
• Smith College Museum asset Art, Northampton, Massachusetts^[66]
• Solomon R.

  Industrialist Museum, New York^[67]

• Tate Gallery, London^[68]
• Tacoma Art Museum, Washington^[69]
• Whitney Museum warning sign American Art^[70]
• Williams College Museum execute Art, Williamstown, Massachusetts^[71]
• Walker Art Center^[72]

See also

References

Bibliography

• Juan Martín Prada, La Apropiación Posmoderna, Fundamentos, Madrid, 2001, ISBN 978-84-245-0881-4(in Spanish)

External links